10/25/2012 (12:37pm) 1 note

WA’A PELELEU


    
   WA’A PELELEU
  (Hawaiian War Canoe)

Built for King Kamehameha I for the invasion of Kauai between 1796 and 1801.  He had a fleet of approximately 20.   The largest one, 70 feet in length, was rigged with a European type sail, while other features and the exterior design were Hawaiian.

The Peleleu fleet arrived at Oahu in 1803. A cholera epidemic broke out in 1804, wiping out many of Kamehameha’s men. 
The expedition was called off and the canoes were left to rot in the sun on the shores of Waikiki.

#Hawaii#War#Canoe#Kamehameha

7/9/2012 (3:31pm) 2 notes

Niuhi and Kamehameha at his ailolo ceremony

#shark#hawaii#kamehameha

7/2/2012 (11:08am) 3 notes

Kamehameha Kanaiaupuni (The Conquerer )

#kamehameha#king#hawaii#Brook Kapukuniahi Parker

4/17/2012 (10:59pm) 32 notes

Kamehameha Lifting the Naha Stone


One story about the First King of Hawaii, includes the Naha stone. According to legend, the one who could move the Naha stone would be the greatest king of Hawaii. The stone (which is now located in front of the Hilo Library on the Big Island) is said to weigh 7,000 pounds. At the age of just 14, Kamehameha not only moved the stone, but completely lifted it and turned it over.

#Kamehameha#Naha Stone

2/1/2012 (12:47pm) 3 notes

King Kamehameha I

#Kamehameha

1/27/2012 (11:16am) 4 notes

Kamehameha at Hale Kapuni

                     

#Kamehameha#Hale Kapuni#Shark#Wood Print#Art

1/21/2012 (2:06pm) 13 notes

KA AHA ULA O KAMEHAMEHA KUNUIAKEA- Brook Kapukuniahi Parker

                 

KA AHA ULA O KAMEHAMEHA KUNUIAKEA oil on canvas 24” X 36” l

Hawaii like the rest of Polynesia was ruled by councils of chiefs and was not a monarchy until much later in Hawaiian history. In Hawaii each island’s Alii-nui (supreme ruler) had his own council of chiefly advisors called “`Aha `Ula”. The term `Aha `Ula was one steeped in “kaona” (metaphor), one meaning is “aha”(chord or rope and sometimes prayer) and “ula” (red), referring to the sacred royal blood ties that united this circle of distinguished men. Another meaning could be expressed as the weaving of relatives into a sacred prayer circle tying them to their ancestors. Upon the death of the Alii-nui, the succeeding chief could keep the same advisors or select new ones.

The Aha `Ula was composed of the most powerful and highest ranked chiefs on each island. When Kalaniopu’u passed away, his son Kiwala’o succeeded him and retained most of his father’s chiefly advisors. But dissension between Kiwala’os faction and Kamehameha’s faction led to war, resulting with the early demise of Kiwala’o in the very first battle at Mokuohai, Kona. Kamehameha was the chosen leader of a group of chiefs representing Kohala, parts of Kona and parts of Hamakua. Kamehameha selected his own powerful uncles to surround him as his `Aha `Ula. Those included in this sacred circle of chiefs were Ke`eaumokupapaiahiahi, Kekuhaupi`o, Keaweaheulu, and the royal twins Kame`eiamoku and Kamanawa. These five primary chiefs were all “Pukaua”(war generals), each highly skilled in weaponry, martial arts and war strategies. Close to this governing circle was Holo’ae the Kahuna-nui (supreme high priest) and his grandson Hewahewa. 

Most students of Hawaiian history are not aware of the fact that within Kamehameha`s `Aha `Ula were men who served dual roles as warrior generals as well as being high priests. Kamehameha himself, as keeper of the war god Kukailimoku was a high priest of the god Ku; therefore he was entitled to officiate in the temple rituals for Ku. During certain periods of the Hawaiian calendar such as when Makahiki was observed, Ku worship was dormant, and Lono became the primary god of the season. Kamehameha was not allowed to officiate at this time, but since Kame’eiamoku and Kamanawa were priests to the god Lono, they were. Therefore the religious control over the people never was relinquished at any time, but always remained within the scope of the `Aha `Ula. 

Kamehameha’s `Ahu’ula remained faithful to him from his rise to power to the end, with their own deaths. Fearless and ruthless on the battlefield, just and fair in peace, these men were the matrix that held the government together. Without them the consolidation of this island archipelago would not have been possible. All died from various reasons before Kamehameha did. Most were replaced at their deaths by their own sons as a tribute to the love Kamehameha had for their fathers.

#Hawaii#Kamehameha#King

12/22/2011 (1:27am) 5 notes

Kamehameha

I wanted to share sketches I am preparing for Kawika Eyre’s chapter book on Kanaiaupuni that will be published by Kamehameha Publishing summer of 2012. The book will be filled with my illustrations and paintings. - My talented cousin Brook Kapukuniahi Parker

#Brook Kapukuniahi Parker#kamehameha#Hawaii

12/20/2011 (3:27pm) 6 notes

Kamehameha & Pele, 1801 Eruption

#kamehameha#Pele#Lava#Volcano

12/14/2011 (9:18am) 4 notes

Kamehameha Sacrificing to Pele- Herb Kawainui Kane

In 1801, a lava flow from Mt. Hualalai (Big Island) covered fishponds and villages for miles along the shoreline of North Kona. When efforts by the priests to appease the volcano goddess Pele failed to stop the flow, Kamehameha traveled by canoe to where the flow was entering the sea. At the edge of the flow he cut off some of his hair, wrapped it in ti leaves and cast it into the lava. Making a gift to Pele of a part of himself was the highest gift he could make, for as a female spirit Pele could not receive human sacrifice. The flow soon stopped.

#Art#Hawaii#Herb Kawainui Kane#Kamehameha#Painting#Pele#Lava#Volcano

11/18/2011 (3:23pm) 10 notes

A Ceremony at Pu’ukohola Heiau

Pu’ukohala Heiau is one of the most scared sites in Hawai’i. Located in Kohala, Hawai’i (Big Island), not too far from Kamehameha’s birth site, it was prophesied that Kamehameha would have to do 3 things to win sole control over the Big Island.  Building Pu’ukohala Heiau was the third.  A heiau is a Hawaiian religious temple.  Ceremonies were held for the public in the open, as seen above.  Inside the heiau was a scared chamber. High chiefs and priests would drink awa and pray, connecting with their amakua (ancestors), and strategize over the war plans and other political moves.  They would practice the ancient martial art LUA and at this particular heiau, planned their takeover of the entire island chain.  This site is still open to the public to visit.  Religious ceremonies are also held in a regular basis as the religion never died. It just went underground…
You can also see snow-capped Mauna Kea in the background
Artist’s note:
The heiau and grounds are now a National Historic Site maintained by the National Park Service. When asked to do this painting, I studied it from all sides and from the air. Then I took a sleeping bag and spent most of three days and two nights on the site, watching  the light change, the sun and the moon rise and set, until I felt the heiau, as the subject, had let me know how it should  be painted.   I felt well compensated much later when a young Hawaiian, referring to my paintings of heiau, said, “Mr. Kane, I used to see these old places as just piles of rock, But now that I have seen your paintings, with the buildings on them, the people, the activity, I can never again see them as piles of rock.

#Pu'ukohala#Heiau#Hawaii#Big Island#Kamehameha

Pilgrimage to Kamehameha Akahi Aina Hanau

Acrylic, 24”x30”

Painted by my Aunty Karen Kozojet Ching.  Inspired by our last trip to the Big Island of Hawai’i together.  We went on a beautiful hike through a hidden section of North Kohala to pay our respects our amakua, the birthplace of Kamehameha.  You can see the island of Maui, coming through the clouds, from there.  A lot of mana in that place, very powerful.  So happy this special journey resulted in a beautiful painiting.  Mahalo Aunty, good luck with your show! 

PRESS RELEASE - Workhouse Arts Center - Studio 5 Gallery

“Talk Story” October 5 - November 6, 2011

The paintings and collages in Karen Kozojet Ching’s solo exhibition are a tribute to her ‘ohana’s Hawaiian heritage. The landscapes, seascapes and petroglyphs are inspired by excursions on the Big Island of Hawaii.

FREE

OPENING RECEPTION
Studio 5 Gallery
October 8, 6 - 9pm
2nd Saturday Art Walk at the Workhouse Arts Center

ARTIST TALK
Sunday, October 16, 2-3pm

Gallery and Studio Hours:
Wednesday - Saturday 11am - 7pm
Sunday 12 - 5pm
Closed Monday and Tuesday

9/16/2011 (10:06am) 1 note

Kamehameha I By Brooke K. Parker

Kamehameha I By Brooke K. Parker

High Chief Kamehameha Kunuiakea is known worldwide. His exploits and accomplishments are legion. It would be impossible to include even the highlights of his life in a bio-capsule such as this. An attempt will be made only to accompany the portrait of this unique individual (c. 1737–May 8, 1819), also known as Kamehameha the Great, conquered the Hawaiian Islands and formally established the Kingdom of Hawaiʻi in 1810. By developing alliances with the major Pacific colonial powers, Kamehameha preserved Hawaiʻi’s independence under his rule. Kamehameha is remembered for the Kanawai Mamalahoe, the “Law of the Splintered Paddle”, which protects human rights of non-combatants in times of battle. Kamehameha’s full Hawaiian name is Kalani Paiʻea Wohi o Kaleikini Kealiʻikui Kamehameha o ʻIolani i Kaiwikapu kaui Ka Liholiho Kūnuiākea.

more on kamehameha sometime later

#kamehameha#hawaii#art#paint

9/7/2011 (11:35am) 54 notes

Kekuhaupi’o By Brooke K. Parker

Kekuhaupi’o By Brooke K. Parker

Kekuhaupi’o was the senior advisor to Kamehameha. Of the five members of the Aha ‘Ula (the sacred red chord) or symbolically the royal chiefly council tied together by blood, Kekuhaupi’o had the most influence on the life of the young Kamehameha. He was responsible for all the training of his young charge including military science, martial arts, use of weapons, genealogy, farming, fishing, and physical training. Kekuhaupi’o was a descendant of the royal Pi’ilani line of Maui through Lonohonuakini (as is my family, through another member of the Aha ‘Ula, Kamanawa). This lineage made him an uncle to Kamehameha. Kekuhaupi’o was by not tall, with very wide shoulders, large hands and long fingers. His grip was extremely strong and his moves were lightning quick.

#hawaii#chief#art#kamehameha#paint

7/21/2011 (8:41pm) 1 note

Kamehameha is given the nickname of “Pai’ea” or hardshelled crab

                         

King Kalaniopu’us’ young pukaua(war leader), Kamehameha saves his kumu Kekuhaupi’o after his kumu is caught in potato vines and falls in a battle on Maui. Because of his ferocity and bravery, Kamehameha is given the nickname of “Pai’ea” or hardshelled crab by his Maui opponents. (Ruling Chiefs pg 84)

Artist: Brook Kapukuniahi Parker

#hawaii#art#war#kamehameha#brook parker